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0-9 | A | B | C | D | E | F | G | H | I | J | K | L | M N | O | P | Q | R | S | T | U | V | W | X | Y | Z
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| 0-9 |
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20th century landscape |
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333 N. Michigan, 1928, Chicago, Illinois, USA |
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333 Wacker Dr., 1983, Chicago, Illinois, USA |
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1001 Fifth Avenue, 1978, New York, USA |
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1984 higher education : state-of-the-art |
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1992 current design trends in school facilities |
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| A |
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The A A School and projects |
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Abstract art into landscape |
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Ad hoc architecture |
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Aerospace Building, Exposition Park, 1984, Los Angeles |
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Africa : housing the urban homeless |
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All change at Bilbao |
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An all-inclusive symbiosis |
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Alley Theater, 1969, Houston, Texas, USA |
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Allied Bank Tower, 1986, Dallas, Texas, USA |
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Allied Plaza, 1984, Houston, Texas, USA |
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Apocalypse and utopia |
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The appearance and lighting of buildings.
Pt. 1, The principles of designed appearance
Pt. 2, Designed appearance in Ely Cathedral and
Sydney Opera House |
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An appropriate language |
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Arc and terraces projects. Part 1 |
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Architecting the plumbing |
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Architectural constants |
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Architecture and human needs |
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Architecture as human geography |
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Architecture as language |
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An architecture of abstraction |
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The architecture of Adolf Loos |
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Architecture of urban landscape |
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Architecture responding to nature |
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Architecture through the lens |
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Art nouveau arch. |
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The art of joining |
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Art, technology and environment |
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Artifice, not nature |
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Aspects of abstraction |
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Atocha Station Renovations, 1992 |
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| B |
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Basic design |
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Bass Buildings, 1984, Fort Worth, Texas, USA |
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The Bauhaus. Part II, The Bauhaus and modern architecture |
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Berthold Lubetkin, 1901-1990 |
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Best Products, 1975, Houston, Texas, USA |
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Boutique Christa Metek, 1966-67, Vienna, Austria |
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Brazilian Student House, 1957-59, Lucio Costa, Paris, France |
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Brunelleschi |
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Building and garden design
Part 1, Building and roof gardens
Part 2, Building and indoor gardens
Part 3, Building and water garden |
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Building forms in a tropical area,
Nigeria. 1, Traditional forms
Nigeria. 2, Developing forms |
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Building with mud |
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Building with stabilised soil blocks |
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| C |
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A caring tradition |
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Casa dei Terragni, 1933-36, Como, Italia |
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The case of Venice |
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Center for Contemporary Culture, 1990-93, Barcelona, Spain |
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Charles Rennie Mackintosh, architect |
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Charnley House, 1892, Chicago, Illinois, USA |
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Children's Museum, 1992, Houston, Texas, USA |
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Church of the Sacred Heart, 1928-32, Prague |
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City context and culture revalued |
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City Hall, 1913-23, Stockholm, Sweden |
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City Hall, 1978, Dallas, Texas, USA |
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Classical tradition |
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A coherent eclecticism |
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The community chooses |
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Concrete expression |
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Condominium I, 1965, Sea Ranch, California, USA |
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Conoco Woodcreek, 1985, Houston, Texas, USA |
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Conserving energy in building |
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A constructive point of view |
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Contemporary Arts Museum, 1972, Houston, Texas, USA |
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Context and architecture |
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Context and catalyst |
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Continuity context & scale |
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Coonley House, 1908, Chicago, Illinois, USA |
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Counter statements |
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The crescent, 1982-85, Dallas, Texas, USA |
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Crystal Cathedral, 1980, Los Angeles |
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Culturalising today's technology |
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Current design trends in school facilities |
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Cy Twombly Gallery, 1995, Houston, Texas, USA |
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Cyprus : self-help housing for refugees |
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| D |
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Danube Locks, 1894-98, Vienna, Austria |
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Design and marketing conundrums |
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Design for mass production |
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Design is one |
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Designing for our time |
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Designing with people's desires |
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A dialectical lyric |
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Directory of architectural terms |
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Dissimulation |
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Dualism in architecture |
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The dynamic of Erich Mendelsohn |
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| E |
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E. Martin House, 1907, Chicago, Illinois, USA |
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Eames House, 1949, Los Angeles |
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Ecological planning |
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The ecology of form |
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Elements of Islamic architecture |
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Energy units & definitions |
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English extremists : the architecture of Campbell Zogolovitch Wilkinson & Gough : exhibition at the RIBA Heinz Gallery, 15th September - 22nd October 1988 |
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The enhancement of life |
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Environmental design is our task |
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Environments for people |
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Erno Goldfinger in Paris in the twenties |
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Expectations broken by design |
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Exploring the boundaries of design |
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Expressing materials and components |
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Expression and restraint |
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Extacity |
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| F |
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Fagus werk, 1911, Alfeld, Germany |
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Favoriten Bank, 1979, Vienna, Austria |
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Feeling the structure |
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Fire and the architect
Part 1, Nature and behaviour of fire
Pt. 2A, Site requirements
Pt. 2B, Means of escape in case of fire
Pt. 3, Designing to control spread of fire and smoke within buildings
Pt 5, Fire defence equipment |
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Form follows climate |
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Form follows function |
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Form, colour and behaviour |
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Fountains : [historical & 20th century] |
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Four Leaf Towers, 1982, Houston, Texas, USA |
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France, Paris, Parc de la Villette Parc la Villete |
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Frank Thomas House, 1900, Chicago, Illinois, USA |
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Fundacion Antoni Tapies, 1986-90. Barcelona, Spain |
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Future realities |
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| G |
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The Galleria (One), 1969-73, Houston, Texas, USA |
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A garden is like a poem |
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Genesis of the new Lloyd's Underwriting Room |
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Gian Lorenzo Bernini |
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Glass in architecture |
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Glessner House, 1886, Chicago |
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Golinsky House, 1909, San Francisco, California, USA |
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Government offices : Inland Revenue building, Scotland |
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Graustark St. Townhouses, 1984, Houston, Texas, USA |
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The Great Court |
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The great engineers, 1837-1987 : Royal college of Art exhibitions at the Henry Moore Gallery |
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Great Mosque, 785-10 c., Cordoba, Spain |
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Great Southern Life Insurance Company, 1965, Houston, Texas, USA |
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Grove Court, 1980, Houston, Texas, USA |
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| H |
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Haas Haus, 1990, Vienna, Austria |
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Haddon St. Townhouses, 1983, Houston, Texas, USA |
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Hagia Sofia, 537-, Isidorus of Miletus and Anthemius of Tralles |
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Hans Scharoun's architecture |
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Heat and light in context |
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Hindu cave temples at Ellora |
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Historic towns and buildings in tropical areas.
Pt. 1, The building heritage, what to preserve : an introduction to conservation
Pt. 2, Evaluation and recording of buildings : an introduction to conservation
Pt. 3, Open air museums : an introduction to conservation
Pt. 4, Traditional buildings and preservation techniques in topical areas : an introduction to conservation
Pt. 6, Cross-currents, the effects of colonisation on architecture : an introduction to conservation |
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Hiway 6 Office Building, 1982, Houston, Texas, USA |
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Hochzeitsturm, 1905, Darmstadt, Germany |
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Hospital : Mid Kent Oncology Centre |
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House/Studio Lazy O, Austin, Texas, USA |
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How architecture speaks |
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How modern architecture came to England |
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Hundertwasser Haus, 1985, Vienna, Austria |
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Hunt the symbol |
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Hvittrask, 1901-03, Helsinki, Finland |
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| I |
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The idea of design |
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The idea of the column |
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Ideas beyond the brief |
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Identity for Indian architecture |
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In step with planning in China |
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In the spirit of Ernest George |
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The inclusive envelope |
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Industrial architecture |
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INNOVA Design Center, 1984, Houston, Texas, USA |
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Institute of Technology, 1955-64, Otamiemi, Finland |
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The integration of the arts |
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Intelligent buildings |
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Internationalised tradition in architecture |
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Interplay of space and place |
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Introduction to structural mechanics
Part 1, Lessons 1-3 : a series of six slide lectures
Part 2, Lessons 4-6 : a series of six slide lectures |
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The ISMS of architecture |
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| J |
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Jean Nouvel |
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Jesse H. Jones Center for the Performing Arts, 1966, Houston, Texas, USA |
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JFK Memorial, Dallas, Texas, USA |
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John Hancock Building, 1970, Chicago, Illinois, USA |
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La Jolla Women's Club, 1913, La Jolla |
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| K |
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Kaertner Bar, 1907, Vienna, Austria |
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Keegan Rudy Chapel, Emanuel Cemetary, 1985, Houston, Texas, USA |
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Keep it simple |
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Knize Storo, 1909-13, Vienna, Austria |
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Knoll Showroom, 1984, Houston, Texas, USA |
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Korman House, 1971-71, Pennsylvania, USA |
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| L |
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Landscape architecture
Part 1, Building and landscape design
Part 2, Building and landform
Part 3, Building and the biosphere
Part 4, Building and planting
Part 5, Building and paving
Part 6, Building and site development case study |
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Lawn Road and the thirties |
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Layering and change |
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Learning from the self-builders |
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Learning from the Tropics |
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Lessons of Milton Keynes |
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Library, 1995, San Antonio, Texas, USA |
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Lodge, 1965, Sea Ranch, California, USA |
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London : images from the modern city. |
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Looshaus, 1910-11, Vienna |
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Low-income housing in Jamaica |
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LTV Center, 1985, Dallas, Texas, USA |
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Lutyens : New Delhi and the monumental |
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Lutyens : the metaphoric castle |
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Lutyens's dream houses |
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| M |
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M.H. Meyerson Symphony Center, 1992, Dallas, Texas, USA |
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Making statements for history |
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Making things happen |
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Mandell St. Townhouses, 1984, Houston, Texas, USA |
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Manz Bookshop, 1912, Vienna, Austria |
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Mark Mack : easy living. |
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The marriage of past and present |
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Marshall Fields Store, 1980, Houston, Texas, USA |
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Marty Leonard Community Chapel, 1990, Fort Worth, Texas, USA |
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Mbank, 1987, Dallas, Texas, USA |
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Medieval castles of Britain |
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Melting architecture |
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Mesa Living Center, 1985, Houston, Texas, USA |
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Meteorological Services Building, Barcelona, Spain |
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Michael Rotondi |
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Michael Webb : a true archigrammer. |
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Michelangelo architteto |
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Michelangelo, pittore 1 |
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Michelangelo, pittore 2 |
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Millard House, 1923, Los Angeles |
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Miro Foundation, 1972-74, Barcelona, Spain |
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Modern space and historic space |
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MOMA Tower, 1983, New York, USA |
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Montjuic Olympic area : Sant Jordi Sports Pavilion, 1984-90, Barcelona, Spain |
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More with less |
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Multi-family dwellings |
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Museum am Lustgarten, 1829, Berlin, Germany |
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Museum lighting |
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Museum of Contemporary Art, 1987-95, Barcelona, Spain |
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Museum of Modern Art, 1939, New York, USA |
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Mythical vernacular monuments |
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| N |
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Naguci Sculpture Garden, 1986, Houston, Texas, USA |
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Nash's London |
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Nathan G. Moore House, Chicago, Illinois, USA |
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National Air and Space Museum, 1976, District of Columbia, USA |
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The nature of engineering ; Engineering nature |
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New bottles for new wine |
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New directions |
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A new start for Polish architecture |
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A new urban classicism |
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Nimes & montpelier |
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Norman Foster |
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NY, World Financial Center |
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| O |
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Objectives and concepts |
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Office Building, 1984, Dallas, Texas, USA |
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Old bungalows of Bangalore, South India |
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Olympic Basketball Stadium (Badalona), 1988-91, Barcelona, Spain |
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Olympic Village, 1985-92, general views. Barcelona, Spain |
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One Shell Plaza, 1971, Houston, Texas, USA |
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Opera house and concert hall acoustics |
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Order in the landscape |
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The orders of architecture |
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Ornament, scale and ambiguity |
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Orvieto e il suo duomo |
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Oscillating |
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| P |
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P.A. Beachy House, 1906, Chicago, Illinois, USA |
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Palace of Fine Arts, 1915, San Frnacisco, USA |
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Palazzo vecchio |
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Paley Plaza, 1967, New York, USA |
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Palladio |
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Pan Am, 1963, New York, USA |
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Papua New Guinea : Gavien resettlement scheme |
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Park Regency Condos, 1982, Houston, Texas, USA |
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Parque de la Creueta del Coll, 1981-87, MBM, Barcelona, Spain |
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Parque de la Estacio del Nord, 1985-990, Barcelona, Spain |
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Parque del Clot, MBM, Barcelona, Spain |
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The participatory process |
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Pasadena City Hall, 1925, Los Angeles |
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Passive energy for Washington DC |
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Paul Chemetov : words and forms. |
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Pavilion of the Spanish Republic, reconstruction, 1992, Barcelona, Spain |
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Pennzoil Building, 1976, Houston, Texas, USA |
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People places |
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Perception and proportion |
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Philip Cox : an Australian architecture [sic] |
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Piazza d'Italia, 1977-83, New Orleans, Louisiana, USA |
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Poetic structures |
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The poetics of architecture |
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A poetics of place |
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The polycentric city |
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Pompei |
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Post Oak Central, 1976-81, Houston, Texas, USA |
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The presence of the past |
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Propriety and continuity |
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Puente Bac de Roda, 1984-87. Barcelona, Spain |
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Putting buildings together |
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| R |
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Reciprocity of human life and habitat |
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Redefining urban quality |
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Refining the structure |
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Representation of opposites |
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Republic Bank, 1984, Houston, Texas, USA |
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Retti Candle Shop, 1964-65, Vienna, Austria |
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RIBA national & regional awards, 1990 |
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The RIBA national awards, 1989 |
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Rice University, Alice Pratt Brown Hall, 1991, Houston, Texas, USA |
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Rice University, Herring Hall, 1984, Houston, Texas, USA |
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Ritual and transformation |
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Rockefeller Center, 1931-40, New York, USA |
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Romantic high tech |
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Roos House, 1909-26, San Francisco, USA |
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The Roosevelt Memorial |
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| S |
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Safdie in Jerusalem |
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San Lorenzo e le cappell medicee |
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Santa Croce |
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Santa Maria del Fiore |
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Santa Monica Museum of Art, 1988, Los Angeles |
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Santo Spirito |
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Saving energy by design |
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Scales of imagery |
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Scheu Haus, 1912, Vienna, Austria |
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Schindler |
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Schindler House, 1921-22, Los Angeles |
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School design : state of the art |
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School design : the state of the art |
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Schullin Jewelry Shop 1, 1972-74, Vienna, Austria |
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Search for a Latin American identity |
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Self-designing structures |
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The sense of boundary in architecture |
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A sensorial technology |
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Shell Woodcreek, 1980, Houston, Texas, USA |
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Shopping mall : Bentall Centre Kingston, Surrey |
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Signs of occupancy |
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Sigurd Lewerentz, 1885-1975 |
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Simplicity |
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Sir Christopher Wren : St. Paul's Cathedral and the university work |
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Sir John Soane's Museum
Set A, Views of the museum
Set D, The house in Soane's day |
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Sir John Summerson at Sir John Soane's Museum |
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Skin and bones |
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Southside Place Pool, 1984, Houston, Texas, USA |
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Space activated by technology |
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Space, event, movement |
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Spatial narrative |
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The spirit of place |
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Squatter settlements and urban planning
Pt. 1. Growth of a community : Lusaka, a case study
Pt. 2. Squatter upgrading : Lusaka, a case study |
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Sri Lanka : 100,000 houses programme 1977-82 : rural aided-self-help housing |
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St. Jude Church, 1909-14, Hampstead Garden, London, England |
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The story of a quest |
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Sugar Creek Country Club, 1983, Houston, Texas, USA |
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Summer House, 1953, Muurame, Finland |
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Symbolic statements |
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| T |
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Tabula inscripta |
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Taggart St. Townhouses, 1984, Houston, Texas, USA |
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Technology is answer, but what was the question? |
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Telecommunications Tower, 1989-92, Barcelona, Spain |
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Tenneco Building, 1963, Houston, Texas, USA |
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Terracotta temples of Vishnopur |
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Texas Commerce Tower, 1982, Houston, Texas, USA |
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Texas Commercial Bank, 1988, Dallas, Texas, USA |
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Thanksgiving Plaza, 1977, Dallas, Texas, USA |
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Theatre reconstruction : Savoy Theatre, London |
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Thirteen architectures |
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Three office buildings, Houston, Texas, USA |
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The three ways of seeing the built environment |
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Time and memory |
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To a new modernism |
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Towers |
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Town Hall, 1931, Hilversum, Netherlands |
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Townhouses, 1902, San Francisco, USA |
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Tradition and invention |
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Transco Building, 1983, Houston, Texas, USA |
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Transfer of technology |
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Transport and urban design |
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Tribune Tower, 1925, Chicago, Illinois, USA |
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Tuberculosis Clinic, 1934-38, Barcelona, Spain |
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| U |
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U value calculations |
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Urban design in action |
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Urbino, Palazzo Ducale |
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| V |
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Vakataka architecture and sculpture |
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Vall d'Hebron Olympic area, Municipal Sports Pavilion, 1984-91, Barcelona, Spain |
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Velodromo de Horta, 1982-84, Barcelona, Spain |
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Villa II, 1913, Vienna, Austria |
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Villard Houses, 1884-1909, New York, USA |
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Visual communication |
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The visual solution |
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Vuoksenniska Church, 1956-59, Imatra, Finland |
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| W |
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Walker House, 1952, Carmel, California, USA |
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Water |
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Watts Tower, 1921-54, Los Angeles, California, USA |
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Weisenhofsiedlung, 1927, Stuttgart, Germany |
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West Station, 1874-77, Budapest, Hungary |
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Why, where, what? |
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Windows & environmental design
Pt. 1, General
Pt. 2, Thermal properties
Pt. 3, Solar control
Pt. 4, Daylighting
Pt. 5, Sound insulation |
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Wood and water |
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Woodlands Municipal Building, Houston, Texas, USA |
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The work of 10 Californian architects : seen through the eyes of Cedric Price and Ron Herron at an exhibition in the RIBA Heinz Gallery, 1992 |
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Working with a genius |
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Working with architects |
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Working with the community |
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| Y |
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Your mother Eire is always young |
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YWCA, 1982, Houston, Texas, USA |
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| Z |
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Zacherl Building, 1903-5, Vienna, Austria |
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The Zephyr Center, 1985, Houston, Texas, USA |
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Last updated on: 08/2005
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